Somewhere in the middle

I’ve been craving calm lately, and rejuvenation. I’ve spent the last few weeks perusing yoga retreat websites, searching for the perfect destination. I needed something restorative but also inexpensive.

Then I heard about Yoga Fest from my yoga teacher, Andrea. The annual day-long retreat in Raleigh features dozens of yoga sessions from meditation to acrobatic yoga. I attended my first Yoga Fest on Saturday, and it turned out to be one of the best experiences of my life. It was a day of releasing for me. I let go of emotions, tensions, judgments. By the end of the day, I felt cleansed, lighter and looser. It was a powerful experience and more than I could have imagined.

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My day started out with an amazing Yin Yoga session with my yoga teacher Andrea. She’s the coolest yogi I’ve ever met. I just adore her! She’s a wonderful teacher. See how happy and relaxed I am after her class? 

The biggest turning point of my day came in the afternoon. Between sessions, I visited the exhibitors’ area and had my aura read for $5 by a woman from a Raleigh yoga studio. I’ve always been fascinated by aura readings and curious about what my own aura looked like. I’m not an expert on the subject of auras, but I’ve been reading about them since I received mine. The best way to describe an aura is it’s a field of energy that surrounds a person and reflects their essence — who they are and what’s happening at their core. The rainbow of colors that appear in an aura are supposed to reveal one’s emotional, physical, spiritual and mental well-being. Since I’ve been dealing with some heavy emotional “stuff” these past two months I was eager to see what my aura would reveal. I placed my hands in the outlines of what looked like two metal fingerprints and within seconds my aura appeared on the screen in front of me.

I studied it for a second and turned to the woman beside me anxiously awaiting her analysis. My aura contained an overwhelming amount of red, which she said represents high energy, creativity and love. “You have a lot of passion,” she said to me. I smiled and nodded. But red, she continued, can also indicate anger, stress and too much thinking and analyzing. She asked if I had been under a lot of stress lately, and I shrugged my shoulders and said, “Not really.” I’ve been managing my stress better at work, doing more yoga and meditation every morning and sleeping well. So no, no stress. She said I have so much energy, creativity and ideas that I want to accomplish, but I’ll never be able to accomplish any of them unless I focus my energy. True. That’s been an ongoing issue.

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“This concerns me,” she said, pointing to a darker area on the screen. I looked closer at the cloudy blob of darkness sitting in the center of my chest. It looked like an ominous, black hole and it was near my heart. I noticed more murky blackness along the edges of my aura, around the crown of my head, but the hole in the center of my heart appeared the densest. “You’re protecting yourself, keeping your emotions closed in,” she said balling her hands into fists and pulling them to her chest. She mentioned illness and grief. I told her I had suffered a great loss in February. She nodded as if she already knew.

It’s been almost two months since my husband and I lost our baby. And it’s a loss unlike anything I have ever felt. It’s a shock to the heart, to the body. Most of all, I grieved the potential, what could have been. Now, what I’m mostly left with is anger. I’ve been through a lot of tough experiences in my life – chronic illness, deaths, divorce – but nothing compares to losing our baby. That black hole, it feels like an abyss. And I was staring directly into it. As I sat there studying my aura on the screen, I saw so much sadness. It’s a strange thing to see your emotions displayed in front of you. It was almost like looking at a self-portrait I had painted. But it’s up to me to change the canvas. The woman who did my reading recommended I meditate more, do some deep meditative breathing and yoga postures to open the chest and release the emotions I’m holding onto. “The gong bath will be good for you,” she continued. “It’ll be interesting to see what your aura is like after the gong.”

Gong bath. I had been hearing about this all day but had no clue what it was, and for some reason I never felt compelled to ask someone. I guess I wanted to be surprised and not go into it with any expectations. With my phone, I took a photo of my aura on the screen, thanked her, and went off to my final yoga class of the day: Cultivating Calm. How appropriate.

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The whole time I was in the class, I couldn’t get the image of my aura out of my head. Every time I tried to concentrate on a particular posture or my breath, my glowing red silhouette with that black hole in the center kept popping up. I kept thinking about how much better I thought I had been doing, how my life was getting back to normal … almost. But I’m still healing. As a friend so eloquently put it, I saw my “true colors,” and it scared me.

“Breathe in possibility and optimism,” the instructor said during our final meditation. “Breathe out fear and doubt.” As I breathed out, I pictured the black hole in my chest leaving my body and light coming in. My closed eyelids trembled as I tried to hold back the tears.

As I waited for the gong bath to begin, I pulled out my phone and Googled “gong bath.” The first result brought up: “A gong bath is a form of sound therapy where the gong is played in a therapeutic way to bring about healing. … The term gong bath means that you are bathed in sound waves, there is no water involved, or clothes removed.” Well, that’s a relief.

I closed my phone and laid down on my yoga mat, waiting to be healed. A woman with thick, blonde curly hair, black and white geometric yoga pants, and an off-the-shoulder black flowing t-shirt entered the room pushing on wheels a gong the size of a Smart car. She suggested lying down on the yoga mat with your head toward the gong and laughed as she told us one of her friends describes the gong bath as a “magic carpet ride.” The idea of floating around on a magic carpet sounded good right about now. The ultimate metaphor for freedom.

She turned off the lights, and as I laid there looking up at the dark, empty ceiling, I kept thinking about the words “healing” and “unreleased grief.” “Give yourself the gift of letting go,” the blonde-hair girl spoke gently into her wireless mic. And with that, the gong bath started. The sounds of the gong began gently like ripples of water, then increased in intensity. I could feel each sound wave reverberate throughout my body. I tried to stay grounded in the present and not let my mind drift, but I couldn’t stop thinking about the past – and that black hole. Eventually, the obsessive thoughts stopped and I let myself just be.

I’m not sure how long the gong bath lasted. Ten minutes? Fifteen? When the gong music stopped, I laid there waiting for something to happen to me. Was it over? Am I healed? What am I supposed to be feeling? Do I feel any different? With the lights still off, a musical recording began to play a New Age song I wasn’t familiar with. I didn’t know what the song was about because the lyrics were in another language, but it was beautiful and moving. As I laid there flat on my back, palms turned upward toward the sky, something broke inside of me. Hot tears slipped from the corners of my eyes and slid down my cheeks. My throat tightened and my chin trembled as I tried to hold back the tears. This is the stuff I’m still holding onto. Let it go. I surrendered to my grief and started a flood. Tears streamed down both sides of my cheeks. Some tears pooled in my ear canals and slid down my jaw bone and down my neck. Others rolled off my skin not knowing where they landed. I felt like I would never stop crying.

When the lights came on, I dug in my bag for a tissue and dabbed the tears from my eyes. I was a mess. My cheeks were wet, my neck, my chest. I felt like my whole body was covered in tears. I kneeled on my mat and started to roll it up when I noticed there were tears the size of dimes pooled on it. I had never seen my tears manifested in that way. They looked so big — perhaps the larger the grief, the bigger the tears.

I took a few deep breaths, then collected my things and hurried out the door to my car. I didn’t want anyone to see what a mess I was. When I stepped outside, the gray rain clouds that followed me on my morning drive had dissipated and the sky was now a cloudless blue. I turned my face to the sun and let its rays dry the rest of my tears. And I told myself, “I’m going to be OK.”

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Andrea introduced me to the works of poet Thomas Merton after her Yin Yoga session. “Sit still and rest.” Ah yes. And I love the second poem “At the End …” I think I’m somewhere in the middle.

 

Being comfortable with the uncomfortable

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Photos by Carla Kucinski.

I’ve been thinking a lot this past week about the idea of being uncomfortable, accepting where you are in your life and making peace with it. In my yoga class, my instructor often talks about this because it’s a huge element in the type of yoga I practice – yin. In yin yoga, seated postures are held for three to five minutes at a time, which forces you to surrender to the pose and allow your body, mind and spirit to just “be” no matter how much your body, mind and spirit fight you. It’s an exercise in letting go.

I’ve been practicing yin yoga for a little more than one year now, and it has helped grounded me in situations and periods in my life where I’ve felt groundless. February was one of those months. Sometimes life hurls at you one big explosion that pulls the ground out from underneath you. In one moment everything changes. That’s how my February started. It forced me to have to process a lot of difficult things and emotions all at once. Feelings I sometimes didn’t know what to do with. Every day felt like a freight train of raw emotions plowing into me.

After taking a brief hiatus from yoga, I returned to my practice last week to help find my footing again. Coincidentally, the lungs were the focus of class that night. The lungs represent courage; it’s also where we hold our grief.

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During the class, my instructor talked about a YouTube video she posted on Facebook earlier in the day. The video features a rabbi talking about how lobsters’ bodies grow, but their shells do not. When the lobster is ready to shed its shell, it retreats under a rock, casts off its armor and then re-emerges to begin growing a new shell.

I feel much like a lobster these days. For the last three weeks, I’ve been in hiding and spent a lot of time reflecting and processing. But something has shifted in me recently. I’m starting to shed my shell. With each new day this past week, I felt the ground returning beneath me. The chatter in my mind quieted. My emotions began to find balance. I started to make peace with this uncomfortable place I’m in. I’ve accepted that this is where I need to be right now, so I can grow, like the lobster.

“Times of stress are also times that are signals for growth.” I keep coming back to those words from the rabbi. They grabbed my heart.

A friend remarked over brunch this morning how good it feels to see pops of color beginning to emerge outside, after enduring a bleak, grey February. Winter is starting to let go, and so am I.

Spring is a transitional season. It’s a time of growth and renewal. It’s a new beginning. Letting go is all about moving out of something, so we can move into something else — another wise observation from my yoga instructor. (Are you noticing her pattern of awesomeness?)

I do not know what I will be moving into, but I do know what I’ll be leaving behind (fear and grief) and what I’ll be taking with me (hope and promise).

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Mountain musings

  
The last morning of vacation always makes me sad. I’m never ready to go home. This is how I feel this morning sitting on the back porch, swaying back in forth in the wooden swing on our deck, spending the morning watching the fog and smokey-grey clouds drift and separate across the Blue Ridge Mountains. I want to wake up every morning like this. 
  
We are tucked away in the woods at an elevation of 4,000 feet. To get here we took a series of paved and gravel roads that seemed like they were leading to nowhere. I’ve never been this remote, so removed from the rest of the world. We’ve immersed ourselves in solitude and quiet, the only sounds being the wind moving the leaves of the trees, and the occasional woodpecker that swoops in and taps on a nearby tree. We turned on the television last night for about an hour and even the sound of it irritated me and disrupted my mountain vacation zen. We turned it off to walk down the gravel road to an open field where we watched the sunset.  

I wonder if I could get used to living somewhere like this with the nearest grocery store 45 minutes away. I guess I’d be trading convenience for peace and a spectacular view. It seems worth it to me. Yesterday I picked wildflowers along the side of our road and baked chocolate chip cookies while listening to a Mozart CD I found in the house. These are not things I normally do in my spare time back home. 
  
I’ve had fantasies here of becoming a novelist and spending my days going for walks in the woods and returning to my cabin to write a few pages. How awesome would that be? 

I feel grounded in the mountains; they’ve always had that effect on me. Maybe it’s because they remind me of home and why when I’m in their presence I feel a sense of longing. For what? Peace? Living somewhere that I truly love? Having that connection to place, nature, the land? Perhaps it’s all of those things.
  

Change of plans

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I’ve been home all week sick with a nasty virus that feels like the flu but isn’t. It’s been a rough couple of days, but hopefully I turned a corner today. I finally took a shower this afternoon. Progress.

What sucks the most about this unfortunate turn of events is that my husband and I had to cancel our vacation Monday night when he came home from work to find me  shivering under the covers  with a 100F degree fever, and we realized there was no way I could get on a plane the next morning or even a few days from now. I was heartbroken and cried — did I mention I get weepy when I’m sick?

Our original plan was to fly to Arizona for a few days where I was going to attend a conference for work while Andrew caught up with an old friend from college. Then, we were going to drive to California to visit my parents for the remainder of our trip and celebrate my birthday a few days early. My mom was heartbroken too when I told her there’s been a change of plans. She too cried. It runs in the family.

I know we can’t always prevent ourselves from getting sick — things happen, right? But I can’t help from blaming myself this time. The week leading up to our trip, I worked. Too much. I had a long list of items to check off my list so that I could leave for two weeks with peace of mind. It was a very stressful week and I worked all day Saturday and Sunday to meet my self-inflicted deadlines. But it came with a cost. My health. Continue reading

Facing my fears

Photo by Carla Kucinski.

Photo by Carla Kucinski.

Public speaking terrifies me.

It frightens me more than heights or roller coasters or swimming in the ocean — all of which are real, deep fears for me.

I will never jump out of a plane or dangle from a bridge on a bungee chord, suspended above a rocky river. Nor will you ever see me riding Six Flags’ Goliath – I can’t even handle the ferris wheel. I am not adventurous in that way, and instead get my thrills from discovering simple things like a new cupcake shop.

I realize that the basis of my fear is a little thing called death. But there’s a deeper layer rooted in the fear of surrendering all self-control and putting my trust in whoever is at the switch. There’s a “letting go” that needs to happen, and I am not a “letting go” kind of gal.

With public speaking, you have to surrender yourself to the audience and hope that they will be engaged and kind and forgiving. It also requires being in the spotlight, something else I do not enjoy. I prefer to work behind-the-scenes.

My earliest memory of this fear was in preschool. A few times a year, our teachers would make us perform a bunch of songs for all the parents. When it was showtime, I was the kid in the back row rubbing my eyes, crying. There’s a photo of me holding hands with another little girl with a Kool-Aid stained mouth, trying to comfort me. Situations like that overwhelmed me even at such a young age. When there’s too much stimuli, I shut down or meltdown.

So then what would possess me to voluntarily get up on stage two weeks ago and tell a personal story, without notes, to a roomful of strangers? Fear. Or better yet, confronting my fear.

This is me with Jeff, the creator of The Monti, after I performed my story. Jeff is an incredible storytelling coach and helped me craft my story every step of the way. He also believed in me, which helped me believe in me, too.

This is me with Jeff, the creator of The Monti, after I performed my story. Jeff is an incredible storytelling coach and helped me craft my story every step of the way. He also believed in me, which helped me believe in me, too.

For a few months, Jeff Polish had been trying to get me to tell a story at The Monti, a storytelling event where people from the community tell a true 12-minute story based on a particular theme. Jeff is the creator, and an all-around good guy. He also looks a lot like Ray Romano. Jeff launched The Monti in Chapel Hill in 2008 to a sold-out crowd, and occasionally he would bring The Monti to Greensboro. That’s how I became a Monti junkie.

As a writer, I love a good story. But live storytelling, I discovered, offered a much deeper connection than words on a page. Every time I attended a Monti performance, my face would hurt from laughing and my eyes would burn from crying. Each story moved me in a different way.

The night I walked away from my first Monti I thought, “I want to do this.” Followed by my second thought: “But I’m terrified.” For years, I attended The Monti as a spectator, trying to envision myself telling a story and thinking that over time I would muster the courage to step onto the stage. But fear paralyzed me.

It took three invitations from Jeff before I finally said “yes.” The theme “Animal Instincts” spoke to me, but aside from that, I’m not sure why I finally agreed. In fact, it was almost like someone else had spoken “yes” for me. But once I committed, I knew there was no turning back. I was all in. And I was petrified.

Someone told me recently that sometimes life throws challenges at us, stretches us beyond our comfort levels, to prepare us for something greater. I did not realize until now that in the months leading up to my Monti debut, I was tested in ways that I had never been tested before — and it all revolved around public speaking.

Six months before The Monti, my aunt asked me to deliver the eulogy at my grandpa’s funeral. I cried so much throughout the funeral service that I worried I wouldn’t be able to pull myself together. My entire body trembled. But when I stepped up to the podium and looked out at the mournful faces gathered in the church, waiting to hear my words, the tears stopped, my voice was steady, and I just did it. How? I’m still not sure.

Two months later, a colleague asked me to present at a conference. I was afraid, but I said yes. Two months after that, I had to give a group presentation to the president of the college I work for — and all the directors. Afterwards, people told me I was a natural and to walk in my gift. Me? I kept glancing over my shoulder, thinking they were talking to someone else.

That's me debuting my story on The Monti stage. It's kind of surreal looking at these photos. I still can't believe I got up there.  Photo by McKenzie Floyd.

That’s me debuting my story on The Monti stage. It’s kind of surreal looking at these photos. I still can’t believe I got up there. Photo by McKenzie Floyd.

The day of my Monti performance I felt like I was going to throw up. It started at noon, and only got worse the closer it got to showtime. Jeff assured me this was normal. In fact, when I saw him that night, he actually seemed proud that I had reached this critical point in the Monti storytelling journey. This is what’s supposed to happen.

That night, I told a story, a love story about my first dog Yoshi — our beginning, our middle and our end. It was just me, and a mic and roomful of listeners. And it was the most vulnerable place I had ever stepped into. Willingly. But when I took the stage and I spoke my first line, all my fears evaporated. It was like someone flipped a switch inside of me, and it felt incredible.

When I returned to my seat, Addison leaned over and told me to look around, “Everyone is crying. Not a dry eye,” she said. I scanned the faces in the room, wet with tears. In that moment, I experienced the power of storytelling. That night my words connected with the people in that room and they felt something. And I felt something too, an overwhelming amount of gratitude. I was grateful for an audience who was kind, attentive and open; for friends who cheered me on that night and surrounded me with support and comfort and lifted me up; and for Jeff for seeing something in me that I didn’t until now.

Photo by McKenzie Floyd.

Photo by McKenzie Floyd.